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It seems interesting to end this diary-survey Meneghello talking about the report Gigliola Sulis.
Gigliola Sulis's speech puts the accent - for once we find an identical response from another opinion in this matter meneghelliana transit - the importance of glosses. In glosses s'individua an important core of the work of Meneghello: it is the immediacy of each language used to explain a concept, even if what emerges then is a joint outside of many languages. And it's interesting because we understand so once again as currency Meneghello the literary value of his work (Said in the introduction: "her lyrics reveal more attention to his intention not to a form that suggests something symbolic, even if - and here lies the difference - it is the intention, in turn, load aesthetically in a particular way ").
In this regard it is useful to allow hours of talk right Meneghello Down here in the biosphere:

is a sense of urgency expressed in the form at times extreme, almost pathological. The effect of a language is bound to upset the writer's presence in the heart of a matter that boils below. There is a perception of hot magma that overlap and are crowded, and the mind can not conceive that the usual way to expose them, do not have the time - it creates a traffic jam in the expressive cues and retching, as an effect of stuttering ... The details of the actual structure of language, such raids in English - quell'inglese of sui generis - do not seem crucial.
Factor field - Biondo said simply, but with a grimness ominous. "The last three words are not Italian or English. The article makes a sentence almost Italian, but what follows is not quite English (normally one would say with ominous grimness). The interlocking of the two languages \u200b\u200bis sometimes given to a procedure that is familiar to those who have used both: "The valleys and gorges were as bleak as above." It happened to me even to write, by way of example and self-justification: "I am speaking as Italian as the next man."
The use of English should be matched with that of "irregularities" language, neologisms, and so the tumors., Giving the text its exceptional power of alienation. Why write such "vivid" instead of "vividness"? And 'as if the writer look up words in themselves - not in current use. What differs, "a figure nearly the same invisibilizzata intensity of moonlight "from" a figure made almost invisible? Examples of the effects of this alienating way of writing, in line with the alienating experience of guerrilla warfare. "" Just the

eperienza partisan allows us to return to the report Gigliola Sulis. We can conclude by saying that after the war refuse Meneghello monolingualism limit notified to him with the load in her schooling and substrate of an ethics and aesthetics are profoundly linked - then that would lead - to the period of the scheme, but will proceed to adopt the multilingualism with a profound ethical conviction.
His writing is therefore the result in the sense of immediacy that was said on one side and just above the inlet of the ethical conscience of another.
Here are just switching to another type of account.
This way, when the English and explains the Italian vice versa, and thus also for the dialect,
discover the body of the signifier (concept very timely and very useful to understand the relevance and discourse among the most important things curdled outlined in the roadmap / approach which emerged so far).
discover that the word, beyond the meanings it contains, contains a reference to the sense that we feel if our sensitivity is a bit 'trained to hear if the words sound good or bad, or how they sound in general. This is significant, but why is it important? Back
the question we began with the report of Frank Caputo.
What language do for us today to say, tell the truth or just saying in general?
Not having to retrieve the dialect but probably his way, but at the same time the burden of living behind the meaning more or less artificial, and in particular to those words meaningless, but emotionally loaded experience in the call that sends the same meaning , which is an important parallel here is precisely the meaning along with the best legacy of the review and return of confidence in us as we seen to emerge from all the literature of the sixties. And probably, indeed certainly even more communication - I would say even more about the networking - among all this diversity.
We see that say things with old literary language but referred to in this sense for our generation. (See comparison to the crisis of realism in the 50s in Italy and the use of an artificial language, however, to say the truth because the concept that underlies it, however, that written language is artificial, Zanzotto behind the scenery).
Here also we find the speech on the importance to take this romance not only for literary Article Laura Peters on.


generally takes place today, as a phenomenon more than in the past, an extrapolation of the body of the signifier, though perhaps this is not even recall how mentally and manifests itself only through the experience , though always lived more personal and unfathomable (hence the importance of external communication with the author).
This type of physicality of the signifier is profoundly different from his other types of performance, such as those who are in the so-called generation of "Cannibals," because here is evident under some type of emotional appeal rather than as we do not find provocation. Question of uses and different intentions.
But we also see the destructive consequences of this: loss of space-time reference because it refers to a particular side of physicality. This happens in general and always as difference from the past, which therefore does not totally rule to find something very body (see Qsl from web or principle that is contrary to removal of bodily Textmeldg.blue, both cd Andrea Rossi Andrea just to stay in theme with the calls have emerged so far and that can support and remain as a support going forward, as many "Virgilio" when crossing the contemporary hell). Some consequences are the loss, the inability to channel the energies which eventually dissipate, regression, and the closure and positive even without the possibility of being translated into real action.
Always keeping us here now, but let us pause a moment and turn our gaze to the report Ernestina Pellegrini and the joints that remain sketchy at the end of our own - about crossing - meneghelliana promenade. (Notes for an update of the rhetoric: what is "Promenade meneghelliana?" It is perhaps a form of rhetoric metaretorica entrusted to the senses. The risk here is to put it all together even if it should be split to maintain a specific individual sensory. Shifting the focus to the senses today to continue to maintain a sense of history, we risk losing sight of the specific sensory object in question, which may end up going to this mixed discourse on the senses. Here, too, as the case may be).
Regarding the discourse of the accent falls Ernestina Pellegrini - a little 'case for a bit' but not always with great intelligence, then select a case by case basis and reflect together on these tracks and can be found here, in my opinion the size of Meneghello - blacks on the holes of the mind, nothing on that, that space between the two types of fantasy within which falls during the associations psychic. Let's see how
writing creeps more and more chips, and the fragment of involuntary memory as you try to reorder this inadvertence. We also see how important is the legacy of the experience of Andrea Zanzotto, once more.

It 'also interesting to see how the English will double the issue of the excavation of the language. Dialect-Italian / Italian-English (+ all other combinations). We note in this regard, the contrast is created between the pragmatism of English and Italian fund indeterminacy. (Meneghello is even closer to us in this global sense of mingling of languages).

Here is that "the machine is rebooted narrative" in the words of Frank Caputo, right through the physicality of which we have discussed so far and that in the previous report was touched with the theme of sport. Here is how
Meneghello helps us today to look at this reboot: at a time when you are running low on psychological side of language signifiers are related to each other through the experience , not to fall into the psychological and continue to work for inclusiveness rather than organic, as is well noted Bruno Pischedda , that is a phenomenon which takes account of all individuals and allow to tell yet, because there is more to tell.


So recently by the transformations that we talked about we can see how this "debridement of significant" risk from one part to each castle on his positions, and conversely in this we have the impression that everything is homologous is flat. This is because it can be made unconditionally, unless it abides by the intent of preserving a part of the intention with which one approaches to artistic creation. That intention, which is still the only thing worth even really talk to me (speaking in terms of preservation), not to force the true religion of the moment in which things emerge by themselves without intention and that is a mirror of selfless love for the things that surround us, yet the only sign of authenticity and sharing in a world ever more inclined to feign even in its most intact and genuine. But this, it is also known, is a field in which the accounts are made speeches and most of all with yourself.

G. Righele

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on what the body corporeality in general refers to the things you are well expressed Francesca Caputo .
His report on sport in Meneghello immediately captures one important aspect: the meaning of life is in philosophy, but the content of it emerges in the sport, you can paraphrase Meneghello .
Here we find a contrast between what is meant by sport Meneghello and among his compatriots Malo and what is meant instead of the consumer society. For the author it sport is a deep feeling of sharing the being that is within each of us, I would say is visceral although I know that the word visceral he did not like. We read in just cool photography book presentation at the conference, titled "Turn the paper ze finìa.Luigi Meneghello.Biografia Imaging", edited by Julia Adam and Peter de Marchi: "When, for publication, I sent Libera nos a malo Giorgio Bassani, who was then working for Feltrinelli, he used me just this word: "This is a novel about his bowels." I am left amazed because I looked like jokes that had nothing to do with my bowels, but it was true, had guts, in the sense of things that bring in from the first stirrings of your nature. "
E 'arousal detector then the feeling of existence, what makes us feel to be alive . And when
Meneghello stage immersed in this collective excitation can not just say "we would always live like this." It 's the sense of excitement for the challenge, and the ultimate challenge for those who always wants to challenge God (but never all the way in fact) that always emerges in the characters of the country that feature a little' twist, and always a little ' more human, which is a little 'the other way - or at least the starting point is the opposite - that kind of challenge to God that we will see of modern analysis.

( Speaking of body and body so you can return now to speak to a moment the question of mental language. It has been said that the generation of Meneghello had two languages, one in childhood, so the problem will come after parallel in contemporary authors to him whether to retrieve the innocence is to recover the language or not, you said the other language Rather than following the industrialization of the Italian economic boom in the late fifties, where the Italian law binding, basically revolving around that kind of economy, therefore it must be said that for example the Italian who brought the Television even managed to bring some spark here and there in the most open-minded beyond the provincial boundaries, in short it was said that the Italian language became the basis of unifying and leveling all differences in dialect. Here
which were then the problems and contingencies of that kind of generation. A breakdown again, to live with two languages, a first in a rural society after industrialization and a + meeting to rediscover the meaning of the dialect of a language or dialect now divided to find the childhood innocence?
Now our generation, I would say that the language we have already found standardized, so there was little to find the dialect, but not his sense at least for us who still feel good about our grandparents, but who knows as yet. Apart from this sense that a real language we had to do with the media, like television, music, cinema and internet newcomer. I said in the introduction in this regard is that we dig deeper into the surface than you think (it would be unusual or more difficult than once, to find books of literature written by one of us in the local dialect). That is not anything we need to recover lost, but rather to give meaning to our surroundings. For the ways of this reappropriation reference to the speech that I will report on Gigliola Sulis. Meanwhile, suffice it to say that. Question
flash: that the body (ie the meaning) of history is running out? Too much mixing today and therefore also the language to use is fine too fake? Even this reference to Article on Gigliola Sulis later. )

Resume from racing.
The fact of the excitement in the sport, reports Meneghello, then we find similarly referred to the women, to compete with / for women.
All this (the stadium, the challenge with God, women), who takes up the thread here, is in contrast Meneghello says the sport in the modern sense, that is the sport its own sake, for the short quell'esasperazione body that has come to establish itself as a fact typical of our capitalist society and consumption.
's life in the end for what Meneghello: as long as you think and you think the content is the excitement, the feeling alive, the emotion in sport is and that is the opposite of today's sport that takes care of the body and who looks a little while to feel that sense of vitality while ago. This is the physicality that adds to the intellectual thought and mixed it made her feel credible and real and now everything seems a little 'fake. Today we are losing this sense of physicality in all over the world and this is what more than anything else it takes away consumer society propinano from us without us being able discuss.
The body, the physicality are increasingly perceived as lost and at the same time are held together by webs of relationships in our life is woven. Above all I would say with good friends, maybe even the finite fault of anyone, because the streets are divided, but their bond remains intact over time and continue with the same level of esteem.
The body then is no longer an entity but to explore Warhol shared one thing makes us feel that it is impossible to draw judgments about the society in some way disconnected from ourselves.
Apart from this observation: more than you lose it becomes less able to communicate and share.
Here we come into contact with another very interesting report in my opinion, that of Stefano Brugnolo , a professor at the University of Sassari, which has raised the issue of how the inhabitants of towns and agricultural lands to the economy is still relation to the new, the world of modernity brought with industrialization, when this was coming to invest. Thus we see that
while elsewhere is a contrast between the rural world and that of modernity, Malo is rather that its inhabitants do their modernity . In the sense that modernity reveal their playful, experimental attitude to things, through their instruments and, primarily, language, dialect because of its vital power. Thus it happens that instead of being crushed the people of Malo are found to take liberties against things that are lowered from above that one could hardly take in a spontaneous way. Kind of freedom that are not only anti-religious, as is reflected in the words of the Meneghello blasphemers "with their blasphemies pull down the supernatural," but more generally anti-dogmatic. Here we find one important thing: the body language lets you do all your things to make them not as absolute as you seem from the outside even more unique items. We note therefore, this vitality, particularly in some of the inhabitants of Malo, there is no nostalgia for the pre-industrial society, but rather a rush to get out, get out of that stillness in particular the rhythms of that life. Modernity is thus a possibility of approaching in an inventive and free things beyond this boundary, which then control will result in some cases a lack of prejudice too excessive and does not control the valuable resources instead fielded in contrast the other side simultaneously with the alienation of the industrial world. And
Meneghello will use these words against this charge vitalistic of the villagers: "moving tension to life. "
was born, a new class in this historic transition, with a spirit somewhere between agriculture and industry, and that makes a real world Malo button indicative of the times. And in this sense emerges well the challenge with God that is talked about, that is when people build things empirically, see the continuous tinkering with his uncle Checco tools.
And in this sense, the same messing Meneghello, his personality, his almost scientific precision in working with words derived in part from the way to work in that world agriculture is still in the blood even if you already started to change, and its do almost shy and aloof, this we are given to understand that if we see it in relation to the generation and in the manner in which they went always go out, but for the first time, transformations and traditions together. I think in this sense that the slipperiness of the definition of the person Meneghello in large part derives from this feature that can only be felt in particular by his peers. Significant are in fact two attempts to grasp the person: the first a portrait of Tullio Pericoli appeared on the 'Index of the month "in 1988 and in the photographic book mentioned above, on which Meneghello said:" I am not so ugly ".
The other: a definition of the mayor of Thiene year of the transfer of the keys to the city, at which he made this the "sweetness" of Louis Meneghello.
answer taking another fact.
back again at the beginning and so the theme of sport as content related to philosophy as a substance, ironically Meneghello said in response to what it is then at this point in the life of a perfect thing and thus reacting in part to the definitions of the first (I think that words are reported by Vitali Gabrio in a speech, if I remember correctly) and
'header with a perfect deadlift and a perfect angle to the ball impressed.

G. Righele